As children, the world is our playground, our parents are both
almighty heroes and merciless adversaries, and our homes are the
territories where big and small battle for dominance. As adults, we
lament the innocence, boundless wonder, and simple pleasures of
childhood.In this fourth installment of Yang Liu’s best-selling
pictogram series, the award-winning designer encapsulatesthe
delights and debacles of family lifewith her characteristic measure
of wit. Combining minimal infographicswith incisive and touching
observations about human nature, the crisp pictorials draw upon
Liu’s Chinese heritage, as in traditional calligraphy, the simpler
the depiction, the deeper-seated the truth that is expressed.With
graphic precision, Big meets Littletakes on the daily happenings of
a family home by visually pairing the perspectives of grown-ups and
our tiny counterparts. Simultaneously playful and painfully
accurate, Liu distills the parenting narrative into bite-sized,
insightful lessons. Over 128 pages, the clothbound volume cleverly
contrasts the reality of parenthood with the glossy family
portraits we’re often sold—though not without a dose of
tongue-in-cheek humor.The artist Yang Liuwas born in 1976 in
Beijing. After studying at the University of Arts Berlin (UdK), she
worked as a designer in Singapore, London, Berlin, and New York. In
2004 she founded her own design studio, which she continues to run
today. In addition to holding workshops and lectures at
international conferences, she has taught at numerous universities
in Germany and abroad. In 2010 she was appointed a professor at the
BTK University of Applied Sciences in Berlin. Her works have won
numerous prizes in international competitions and can be found in
museums and collections all over the world.
V januári 1965 Gabriel García Márquez cestoval s rodinou na
dovolenku do Acapulca, keď odrazu dostal nápad. Začul vravu
mestečka Macondo. Už vedel, ako napíše svoj nový román. Vrátil sa
domov, zatvoril sa do pracovne, a keď z nej po osemnástich
mesiacoch vyšiel, v ruke držal 1 300 strán rukopisu a bol šťastný.
Román Sto rokov samoty prvý raz vyšiel v roku 1967, Márquez mal
vtedy 39 rokov a svet si navždy zapamätal jeho meno. Dnes je román
považovaný za jedno z najvýznamnejších diel latinskoamerickej a
svetovej literatúry. Je komponovaný z množstva reálnych aj
fantazijných epizód a rozpráva o pôvabných i krutých príhodách
šiestich generácií rodiny Buendíovcov z fiktívneho mestečka
Macondo.
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