250 years after the painter's birth, this luxurious exhibition
catalog offers glimpses into the mystery of Friedrich's largely
posthumous popularity as well as the latest research into his
training and techniques. Largely ignored during his lifetime,
Caspar David Friedrich was a meticulous painter of emotionally
evocative landscapes, often featuring solitary figures or groups of
people against dramatic scenery. His work inspired many artists
until today.This volume explores the role that Berlin's
Nationalgalerie played in bringing Friedrich into the forefront of
modern art history. It also shines light into Friedrich's
remarkable use of pairs in paintings-including his most famous
pairing, Monk by the Sea and Abbey in the Oakwood- which he
employed to express a range of different perspectives and the
concept of change. Finally it examines the latest research into
Friedrich's technique: his early training in Copenhagen, his
sketches, preparatory drawings and underdrawings, and his
unconventional selection and use of pigments.Throughout this
monograph readers will find stunning reproductions of sixty
paintings, including several iconic works, and fifty
drawings-representing collections from around the world. Coupled
with the latest research, they combine to offer a completely
up-to-date appreciation of Friedrich's extraordinary talent and his
unquestionable status as a pioneer of modern art. AUTHORS: Birgit
Verwiebe is curator at the Alte Nationalgalerie in Berlin for
painting of the first half of the 19th century, and an expert on
Caspar David Friedrich.
Príbeh sa začína v Berlíne roku 1942. Jedného dňa sa Bruno vráti zo
školy a nájde pobalené všetky veci. Jeho otec dostal nové miesto a
rodina sa s ním musí odsťahovať ďaleko na zvláštne miesto, kde nemá
čo robiť, kde sa nemá s kým hrať. Kam len oko dovidí sa tiahne
plot, ktorý ho oddeľuje od čudných ľudí. Bruno je však prieskumník
a nezmieri sa s tým, čo vidí. Pri prieskumných cestách pozdĺž plota
stretne chlapca, ktorého život a podmienky sú úplne odlišné od
jeho.
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