A provocative analysis of how Christianity helped legitimize the
death penalty in early modern Europe, then throughout the Christian
world, by turning execution into a great cathartic public ritual
and the condemned into a Christ-like figure who accepts death to
save humanity. The public execution of criminals has been a common
practice ever since ancient times. In this wide-ranging
investigation of the death penalty in Europe from the fourteenth to
the eighteenth century, noted Italian historian Adriano Prosperi
identifies a crucial period when legal concepts of vengeance and
justice merged with Christian beliefs in repentance and
forgiveness.Crime and Forgiveness begins with late antiquity but
comes into sharp focus in fourteenth-century Italy, with the work
of the Confraternities of Mercy, which offered Christian comfort to
the condemned and were for centuries responsible for burying the
dead. Under the brotherhoods' influence, the ritual of public
execution became Christianized, and the doomed person became a
symbol of the fallen human condition. Because the time of death was
known, this ",ideal", sinner could be comforted and prepared for
the next life through confession and repentance.In return, the
community bearing witness to the execution offered forgiveness and
a Christian burial. No longer facing eternal condemnation, the
criminal in turn publicly forgave the executioner, and the death
provided a moral lesson to the community. Over time, as the
practice of Christian comfort spread across Europe, it offered
political authorities an opportunity to legitimize the death
penalty and encode into law the right to kill and exact
vengeance.But the contradictions created by Christianity's central
role in executions did not dissipate, and squaring the emotions and
values surrounding state-sanctioned executions was not simple, then
or now.
Je ťažké nájsť samého seba a na svete je naozaj množstvo ľudí,
ktorí to nikdy nedokážu. Ally d'Apliese sa však rozhodne, že si
nenechá utiecť život pomedzi prsty. Je rozhodnutá zistiť, kým je, a
tak nasmeruje svoju cestu k mrazivému severu, dostala totiž
indíciu, aby jej hľadanie išlo ľahšie. Tou indíciou je životopis
nórskeho hudobného skladateľa, ktorý žil v 19. storočí. Po príchode
do Nórska ju okúzli hudobný svet, ktorý je s jej životom spojený
viac, ako doteraz tušila. Jej osud sa však začne rozmotávať až
vtedy, keď narazí na Annu Ladvik, nie príliš slávnu speváčku, ktorá
vystúpila v prvom predstavení Griegovej legendárnej hudby na motívy
Ibsenovho Peera Gynta. Až vďaka nej začne Ally rozumieť tomu, kým
vlastne je.
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