The publication presents Joan Miró’s (1893– 1983) mural art in the
context of his life’s work. Miró’s ideas for large-scale mural art
can be traced back to his works of the 1920s and the inspiration he
drew from the bare walls of his family home in Montroig (Catalonia)
and those of his studio in Paris. Miró gave priority to simple and
essential forms, and declared the wall to be the very essence of
his imagery. With its imperfections, it became the starting point
for pictures in which Miró recorded its material beauty with
meticulous attention to detail and great poetry. This book, and the
exhibition it accompanies, takes its cue from the Kunsthaus
Zürich’s mural Oiseaux qui s`envolent, which will be the subject of
a long overdue evaluation. It includes texts by renowned Miró
scholars on his serial working practice, his ceramic production and
mural works, together with unpublished material on the origins of
his famous triptychs series.
Pokračovanie úspešnej trilógie Pán Prsteňov, v ktorom sa zavŕši
príbeh putovania hobita Froda k Puklinám osudu a vojny, ktorá
zavládla v Stredozemi. Knihu preložil Otakar Kořínek.
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