This book reflects on the changing role of the judiciary in Central
Europe. From among the many problems associated with the position
of courts in contemporary states, the authors focus on various
questions of how the courts’ decision-making can reinforce the
overall coherence of the law, rather than contribute to its
fragmentation. These questions are as follows, for example: What
role can be played by the way judges use interpretation methods in
terms of strengthening or weakening the law as a system? Is it
legitimate for the courts to formulate, in their decisions, general
principles and rules which have a potential to impact a very broad
circle of future cases? What is the role of courts in strengthening
the unity of law in relation to the other branches of government,
and to international bodies and institutions? The first part of the
book focuses on the theoretical and doctrinal foundations of
judicial law-making in Central European countries. The authors deal
with topics concerning the relationship among the judiciary, the
constitution and statutory law; legal casuistry, as opposed to a
systemic approach to law; judge’s decision-making in a situation
where there is no a priori regulation; and the role of settled
practice in terms of the traditional doctrine on the sources of
law. The second part then deals with pro-systemic and anti-systemic
effects of judge-made law and judicial interpretation; this part
also tackles the issues of maximalism and minimalism in judicial
decision-making; judicial law-making with regard to constitutional
complaints; coherence of law in connection with retrospective
effects of case law; and finally, the legitimacy of evolutive
interpretation in the light of the principles of human rights
protection developed by the European Court of Human Rights.
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Aktuálna Ø cena knihy Judicial Law-Making and Judicial Interpretation in Central European Countries - Ondřejek Pavel je 40,93 €
V januári 1965 Gabriel García Márquez cestoval s rodinou na
dovolenku do Acapulca, keď odrazu dostal nápad. Začul vravu
mestečka Macondo. Už vedel, ako napíše svoj nový román. Vrátil sa
domov, zatvoril sa do pracovne, a keď z nej po osemnástich
mesiacoch vyšiel, v ruke držal 1 300 strán rukopisu a bol šťastný.
Román Sto rokov samoty prvý raz vyšiel v roku 1967, Márquez mal
vtedy 39 rokov a svet si navždy zapamätal jeho meno. Dnes je román
považovaný za jedno z najvýznamnejších diel latinskoamerickej a
svetovej literatúry. Je komponovaný z množstva reálnych aj
fantazijných epizód a rozpráva o pôvabných i krutých príhodách
šiestich generácií rodiny Buendíovcov z fiktívneho mestečka
Macondo.
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