A close ally of Camille Pissarro, Berthe Morisot and Edgar Degas,
Mary Cassatt was the only American painter at the heart of the
Impressionist group in Paris. Highly respected on both sides of the
Atlantic, Cassatt was a forthright advocate for women's
intellectual, creative and political emancipation. She brought her
discerning gaze and compositional inventiveness across many media
to the subtle social interactions of women in public and private
spaces, such as at the theatre, and in moments of intimacy with
children, where she was one of the most attentive and unsentimental
analysts of the infant body and the child's emerging
personality.Tracing key moments in Cassatt's long career, art
historian Griselda Pollock highlights Cassatt's extensive artistic
training across Europe, analysing her profound study of Old Masters
while revealing her intelligent understanding of both Manet and
Courbet. Pollock also provides close readings of Cassatt's
paintings and her singular vision of women in modernity. Now
revised with a new preface, updates to the bibliography and colour
illustrations throughout, this book offers a rich perspective on
the core concerns of a major Impressionist artist through the
frames of class, gender, space and difference.
Pokračovanie úspešnej trilógie Pán Prsteňov, v ktorom sa zavŕši
príbeh putovania hobita Froda k Puklinám osudu a vojny, ktorá
zavládla v Stredozemi. Knihu preložil Otakar Kořínek.
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