‘The best kind of book: the one you didn’t know you were craving
until it appeared . . . self-interrogative, intricately perceptive.
I absolutely inhaled it’ JIA TOLENTINO ‘A very richly interesting
exploration of a complex subject. Begona Gómez Urzaiz tells the
stories with such intelligence and wit and generosity’ TESSA HADLEY
When it comes to children: a man leaves, a woman abandons Ingrid
Bergman, Muriel Spark, Maria Montessori, Joni Mitchell … what do
these vastly different women have in common? During the pandemic,
trapped at home with young children and struggling to find creative
space to write, journalist Begona Gómez Urzaiz became fixated on
artistic women who were able to overcome both society’s judgement
and their own maternal instincts in order to leave their children.
More than anything, she was fascinated by her own prejudice towards
these women, so clearly tied up in a much wider cultural bias.
Using famous examples including Doris Lessing, fictional ones such
as Anna Karenina, and interrogating modern trends like
Momfluencers, Begona reveals what our judgement of these women
tells us about our judgement of all women. ‘The best book I've read
on the implications of motherhood and its opposites after Sheila
Heti's Motherhood’ CLAUDIA DURASTANTI
Pokračovanie úspešnej trilógie Pán Prsteňov, v ktorom sa zavŕši
príbeh putovania hobita Froda k Puklinám osudu a vojny, ktorá
zavládla v Stredozemi. Knihu preložil Otakar Kořínek.
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