Manet called him “the greatest painter of all.” Picasso was so
inspired by his masterpiece Las Meninas that he painted 44
variations of it. Francis Bacon painted a study of his portrait of
Pope Innocent X. Monet and Renoir, Corot and Courbet, Degas and
Dalí… for so many champions of art history, the ultimate sounding
board was—and remains—Diego Rodríguez de Silva y Velázquez
(1599–1660).First available as an XXL-sized volume, this accessible
edition brings together Velázquez’s complete works with a selection
of enlarged details and photography of recently restored paintings,
achieved through the joint initiative of TASCHEN and Wildenstein.
The dazzling images are accompanied by insightful commentary from
José López-Rey on Velázquez’s interest in human life and his equal
attention to all subjects, from an old woman frying eggs to a pope
or king, as well as his commitment to color and light, which would
influence the Impressionists over two centuries later.The authors
José López-Rey (1905–1991) taught Italian Renaissance at the
University of Madrid and worked as an art advisor for the Spanish
Ministry of Education. Before the end of the Spanish Civil War, he
emigrated to the USA, where he resumed his teaching career at the
Institute of Fine Arts, New York. In 1973 he was awarded emeritus
status. López-Rey was a corresponding member of the Hispanic
Society of America and a consultant and contributor to several
international art journals, including the Gazette des Beaux Arts
and Art News. Odile Delenda, graduate of the École du Louvre,
served as professor there, and then as deputy head of the
department of paintings at the Musée du Louvre until 2007. She has
collaborated on several exhibitions of old master paintings. A
research fellow at the Wildenstein Institute in Paris since 1990,
she has continued her study of Spanish art from the Siglo de Oro.
She is, among other works, the author of Vélasquez, peintre
religieux (1993) and, under the auspices of the Wildenstein
Institute, the first critical catalogue raisonné of the painted
oeuvre of Francisco de Zurbarán and his studio (2009/10).
Slepý Melésigenés s ťažkosťami hľadal prostriedky na živobytie, no
na druhej strane si získaval čoraz viac obdivu a sympatií u ľudí,
ktorí sa ho snažili povzbudzovať a podporovať. V Kýme na
maloázijskom pobreží ho nahovorili, aby požiadal o pomoc mestskú
radu a stal sa básnikom mesta na útraty obce. Rada však návrh
odmietla s tým, že „homérov“ (slepcov) živiť nebude. Odvtedy ostalo
Melésigenovi meno Homéros. Z Kýmy následne odišiel do Fókaie, potom
na ostrov Chios, kde sa živil ako učiteľ a básnik. Na Chiu prežil
šťastné obdobie života, zložil tu mnoho básní a stal sa známym v
celej Hellade. Neskôr cestoval po rôznych krajoch Grécka, zložil
eposy Ílias a Odysseia. Svoj život zakončil na ostrove Ios. V
druhej polovici Odysseie, ktorá sa k vám v tejto knihe dostáva,
Faiáci doplavia Odyssea do vlasti. Po príchode na Ithaku stretáva
bohyňu Athénu, ktorá mu radí, aby nešiel hneď do paláca, ale ako
žobrák najskôr zistil stav vecí vo svojom kráľovstve, a dodáva, že
má pre neho pripravený plán pomsty spupným ženíchom. Odysseus dá na
rady bohyne a s odhodlaním sa púšťa do príprav na boj so ženíchmi o
svoje postavenie vo vlasti a o svoju rodinu. Medzitým sa z ciest po
Sparte a Pyle vracia domov jeho syn Télemachos a Odysseova manželka
Pénelopé v paláci statočne odoláva ponukám ženíchom na vydaj.
Publikácia obsahuje aj Hérodotov Homérov životopis a druhú časť
štúdie Ivana Janeka Homérova Odysseia, ktorá približuje jednotlivé
časti eposu.
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