Bong Joon-ho
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Brilliantly illustrated and designed by the London-based film
magazine Little White Lies, Bong Joon-ho examines the career of the
South Korean writer/director, who has been making critically
acclaimed feature films for more than two decades. First breaking
out into the international scene with festival-favorite Barking
Dogs Never Bite (2000), Bong then set his sights on the story of a
real-life serial killer in 2003's Memories of Murder and once again
won strong international critical attention, taking home the prize
for Best Director at the San Sebastian Film Festival. But it was
2006's The Host that proved to be a huge breakout moment both for
Bong and the Korean film industry.The monster movie, set in Seoul,
premiered at Cannes and became an instant hit-South Korea's widest
release ever, setting new box office records and selling remake
rights in the US to Universal. Bong's next feature, Mother (2009)
also premiered at Cannes, once again earning critical acclaim and
appearing on many ",best-of", lists for 2009/2010. Bong's first
English-language film, Snowpiercer (2013)-set on a postapocalyptic
train where class divisions erupt into class warfare-followed on
its heels, bringing his work outside of the South Korean and film
festival markets and onto the stage of global commercial
cinema.With 2017's Okja (which became a center of controversy due
to its being produced and released by Netflix), Bong became even
more of an internationally known name, with the New York Times' A.
O. Scott calling the film ",a miracle of imagination and
technique.", Bong's next film, the 2019 black comedy/thriller
Parasite, simultaneously scaled back-the film is mostly set in just
two locations, with two Korean families taking center stage-and
took his career to new heights, winning the Palme d'Or with a
unanimous vote, as well as history-making Academy Awards for Best
Picture, Best Director, Best Original Screenplay, and Best
International Feature Film.Parasite's jarring shifts in
tone-encompassing darkness, drama, slapstick, and black humor-and
its unsubtle critiques of late capitalism and American imperialism
are in conversation with Bong's entire body of work, and this
mid-career monograph will survey the entirety of that work,
including his short films, to flesh out the stories behind the
films with supporting analytical text and interviews with Bong's
key collaborators. The book also explores Bong's rise in the
cultural eye of the West, catching up readers with his career
before his next masterpiece arrives.
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