A definitive and timely monograph celebrating the work of
ground-breaking conceptual artist Cerith Wyn Evans Cerith Wyn Evans
is one of today's most respected and acclaimed sculptors. Born in
Wales and educated through his first language of Welsgh, his work
reflects his fascination with literature, film, music, and
philosophy. Evans is an artist interested in language and how this
can be perceived in spatial terms.Originally an experimental
filmmaker, in the 1990s Evans started creating sculptures and
installations defined by poetic conceptualism and elegant aesthetic
forms. Often made of neon light, his pieces subtly disrupt existing
systems of communication, either through the subversion and
alteration of given spatial forms or by adopting a communal rather
than a singular, authoritarian voice. In 2003 Evans represented
Wales at the country's inaugural pavilion at the 50th Venice
Biennale.This book, the first comprehensive study dedicated to his
work, includes contributions by luminaries such as the former
Guggenheim Chief, Nancy Spector and the 2011 Venice Biennale
director, Daniel Birnbaum, together with a previously unpublished
text by Evans himself.
Pokračovanie úspešnej trilógie Pán Prsteňov, v ktorom sa zavŕši
príbeh putovania hobita Froda k Puklinám osudu a vojny, ktorá
zavládla v Stredozemi. Knihu preložil Otakar Kořínek.
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