45,000 years ago, rare and precious statues of faceless women with
hourglass figures, sturdy hips and generous breasts surfaced across
Europe. Spanning thousands of years and nurturing many a fantasy,
they are known as the prehistoric Venus figurines. But what were
the women who inspired these artefacts really like?For 150 years
researchers offered no archaeological insights into the daily lives
of prehistoric women and underestimated their role in society. In
fact, these women became imprisoned by clichés. Prehistoric man
hunted, went on adventures, invented, created and drew, whereas the
role of prehistoric women was limited to educating children and
carrying out domestic chores. That’s all there was to say about it,
or almost.Over the past fifteen years a new generation of
researchers – many of whom are women – have shaken up this model.
By establishing groundbreaking analysis protocols and defining new
excavation methods, these scientists are finally able to make the
invisible visible. It is thanks to their tenacity that the
essential and even prestigious role of prehistoric women is
emerging. For the first time ever these ancient women are being
resurrected before our very eyes, shedding light on a new theory of
our origins!'Seek[s] to debunk the simplistic division of roles by
highlighting advances in the study of bones, graves, art and
ethnography often ignored in the public sphere' The Guardian
Pokračovanie úspešnej trilógie Pán Prsteňov, v ktorom sa zavŕši
príbeh putovania hobita Froda k Puklinám osudu a vojny, ktorá
zavládla v Stredozemi. Knihu preložil Otakar Kořínek.
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