Michelangelo
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A new biography of Michelangelo by Martin Gayford, the acclaimed
author of&,nbsp,Constable in Love&,nbsp,and&,nbsp,The
Yellow House. There was an epic sweep to Michelangelo's life. At 31
he was considered the finest artist in Italy, perhaps the world,
long before he died at almost 90 he was widely believed to be the
greatest sculptor or painter who had ever lived (and, by his
enemies, to be an arrogant, uncouth, swindling miser). For decade
after decade, he worked near the dynamic centre of events: the
vortex at which European history was changing from Renaissance to
Counter Reformation. Few of his works - including the huge frescoes
of the Sistine Chapel Ceiling, the marble
giant&,nbsp,David&,nbsp,and the Last Judgment&,nbsp,-
were&,nbsp,small or easy to accomplish. Like a hero of
classical mythology - such as Hercules, whose statue Michelangelo
carved in his youth - he was subject to constant trials and
labours. In&,nbsp,Michelangelo&,nbsp,Martin Gayford
describes what it felt like to be Michelangelo Buonarroti, and how
he transformed forever our notion of what an artist could be.'One
of our most distinguished writers on what makes modern artists tick
. . . It is very difficult to cut through the thicket of
generations of scholarship and say anything new about David, the
Sistine Chapel, The Last Judgement, the Basilica of St Peter's or
many of Michelangelo's other masterpieces, but Gayford manages to
do so by encouraging us to think - and look - at both the obvious
and the overlooked'&,nbsp,Sunday Telegraph 'Only the most
ambitious biographer can take on the talent of Michelangelo
Buonarroti'&,nbsp,The TimesMartin Gayford has been art critic
of the&,nbsp,Spectator&,nbsp,and the&,nbsp,Sunday
Telegraph. He is currently Chief European art critic for Bloomberg.
Among his publications are:&,nbsp,The Yellow House: Van Gogh,
Gauguin and Nine Turbulent Weeks in Arles,&,nbsp,The Penguin
Book of Art Writing, of which he was co-editor,&,nbsp,Man with
a Blue Scarf: On Sitting for a Portrait by Lucian Freud, and
contributions to many catalogues. He lives in Cambridge with his
wife and two children.